Acknowledgements

Acknowledgements
Dryden Goodwin would like to thank the following individuals and organisations for their generous support:

Single screen films

Ospedale (1997) Commissioned by Fabrica, Venice, Italy.
Closer (short film) (2001) Commissioned by Film and Video Umbrella, London, funded by The Arts Council of England.
Reveal (2003) Commissioned by Picture This and South West Screen, funded by the Arts Council National Touring Programme and South West Screen. Ray Stevens, Broadcast Equipment ltd.

Installations

About (1998) Commissioned by Kettles Yard, Cambridge funded by Arts Council of England.
Within (1998) Commissioned by LUX, London, funded by The Arts Council of England with National Lottery Funds and London Arts Board.
Scene (1999) Commissioned by Site Gallery, Sheffield.
Wait (2000) Co-Commissioned by FACT and Tate Liverpool, funded by The Arts Council of England with National Lottery Funds, North West Arts Board, additional support London Arts Board.
Closer (three screen video installation) (2002) Commissioned for Art Now by Tate Britain, funded by Patrons of New Art.
Above/Below (2003) Commissioned by Canon Bill Hall, The Chaplaincy of Arts and Recreation, North East England, Durham Cathedral. Technical support Ray Stevens.
Two Thousand and Three (2003) Technical support New Gallery Walsall.
Dilate (2003) Co-commissioned by Manchester Art Gallery and Film and Video Umbrella in association with the New Art Gallery Walsall. Funded by the National Touring Programme of Arts Council England and The Henry Moore Foundation. Production: Jo Cole, Damien Goodwin. Technical: Nevil Bounds and Stuart Reid, Electrosonic Ltd, Ray West Consultancy, Tony MacLaren, Alan Wroxley, NEC (UK) Ltd, Fredrik Svahnberg, Dataton (Sweden), Mike Jones, Bevis Bowden. Locations: Sara Markland, Isaac Goodwin, P&O Ferries Ltd, Lulworth Estate, BAA Heathrow, Metropolitan Police Heathrow, Durham Cathedral, Canon Bill Hall. Installation: Steve Connah, Mark Haig.
Stay (2004) Commissioned by Lighthouse, Poole.
State (2004) The Slade School of Fine Art, London and Artichoke print studio, London.
Flight (2006) For production assistance:Jon Houlding, Mike Cole, Sophie Clements, Jo Cole, Tony Perretta, Lucie Baldwin and Robert Baldwin. With thanks to Liz Lahav, Dick Arnall, Maggie Elis, Jacqui Davies, Gary Thomas, Simon Wallis, Katie Boucher, David Hubbard, Julie Redmond, Chisenhale Gallery, Stephen Friedman Gallery, Barco. The short film was originally funded by animate! Funded through Finetake by Arts Council England and Channel 4. The installation was funded by the Chisenhale Gallery, London.

Drawing and Photography

Sustain (1999) Commissioned by Coil magazine edition 8.
Repton A.B.C. (2005) Animatrice – Caroline Isgar, Plates printed by Martin Saull, Text typed by James Keith , Bound by Clare Bryan, Published by the Slade Press 2005, Funded by the UCL Friends Programme. With Thanks to the Slade professor John Aiken, the staff of the printmaking department of the Slade School of Fine Art, The UCL Friends, Hayley Williams, The Repton Amateur Boxing Club and Don. With Special thanks to Jamie Foreman
Sustained Endeavour - 25 drawing of the Same photograph of Sir Steve Redgrave (2006) Commissioned by the National Portrait Gallery, London With the support of JPMorgan. With Thanks to: Sandy Naine, Director, National Portrait Gallery; Sarah Howgate, Comtemporary Curator, National Portrait Gallery; Eddie Otchere, Inspire Fellow, National Portrait Gallery and Julie Redmond.
The Calvert Centre project (2007) The Calvert Care Centre has been a part of a City-wide arts and health programme which aims to enhance the environment of health care facilities for the benefit of patients and staff. Special Thanks to Lucy Lumb, Tom Lomax and Edward Alington. DG would like to thank all those people featured in the circle of portraits: Tani Baig, Dr Farhad, Charlotte Gledhill, Neil Greenwood, Andy Harness, Eaton Hines, Stephen Hull, Shaun Hunter, Mohammed Ishfaq, Alex Jenkins, Errol Lyons, Eve Montgomerie, Linda Ollett Shopass, Michelle Rondell, Heather Self, Rachael Skerrett, Jeremy Smawfield, John Ward, Jean Ward, Helena Woods. Also with thanks also to everyone else who has supported the project. Les Adam, Graham Alexander, Gavin Barley, Kath Beckett, Mavis Bilton, Mark Boothby, Melissa Brolls, Rob Cawkwell, Ruth Drake, Kent Dewar, John Easter, John Hall, Jon Holding, Tony Hindley, Paul Holloway, Sheila Jones, June Jones, Terry Kilburn, Tracey Kingdom, Connor Kirby, Kath Lavery, Jenny Leach, Nicholas Long, Jenni Marsham, Alice Middleton, Pat Nolton, Abby Sarah Paterson, Louise Ramsay, Dave Rowe, Katie Schofield, Chris Smith, Beverley Stokes, Liz Sugden.

Thanks also to:

Jo Cole, Fynn Cole-Goodwin, Heath Cole-Goodwin, Stephen Friedman Gallery, Film and Video Umbrella, NESTA: National Endowment for Science Technology and the Arts, Dick Arnall, Helen Baggett, Dr. Claudio Beltramello, Eddie Berg, Meschen Beymen, Steven Bode, Francesco Bonami, Nevil Bounds, Bevis Bowden, Ron Bowen, Andrew Burlton, Kate Bush, Lizzie Carey-Thoma, Richard, Diane, and Mike Cole, Susan Collins, Steve Connar, Ben Cook, Dave Curtis, Venu Depa, Warren Desousa, Maggie Ellis, Cate Elwes, Caroline Forster, Nicolai Frahm, Stephen Friedman, Damien and Sara Goodwin, Jeff and Christine Goodwin, Darius Goodwin, Mark Gisbourne, Jeanine Griffin, Tony Grisoni, Matt Hales, Canon Bill Hall, Lee Hassall, John Hilliard, Sophie Howarth, Jon Houlding, Natasha Howes, David Hubbard, Caroline Isgar, Mike Jones, Paul Kingsley, Patricia Kohl, Michael and Fiona King, Roger Kinnley, Sotiris Kyriacou, Amit Lahav, Suzanne Lee, Samuel Leuenberger, James Lingwood, Tom Lomax, Clare Lovett, Abina Manning, Sam Marshall, Michael Maziere, Jo McGonigal, Bruce McLean, Rosa de Mello do Rego, Julia Molinari-Burlton, Gregor Muir, Vladka Neville, Tom Parsons, Tony Perretta, Joelle Price, Graham Proctor, Julie Redmond , Brett Rogers, Kirsten Sampson, Claudia Schenk, Lisa Steele, Ray Stevens, Gary Thomas, Len Thornton, Kim Tomczak, Fiona Venables, Alessandro Vincentelli, Simon Wallis, Ray West, Keith Whittle, Tim Wilcox, Arcan Zilci.